How did Alison Krauss and Robert Plant decide to collaborate on music, and how did they choose the songs they recorded?

When Alison Krauss and Robert Plant announced their collaboration in 2007, it was a surprising yet thrilling combination for many music enthusiasts. Their album, “Raising Sand,” blended Krauss’ bluegrass and country influences with Plant’s rock and blues background, creating a unique and unexpected sound. The origins of this collaboration and the process of selecting songs they recorded reveal a fascinating story of mutual admiration and creative synergy.

 

The idea for their collaboration was born out of a mutual admiration for each other’s work. Plant, the legendary frontman of Led Zeppelin, had long admired Krauss’ angelic voice and her ability to infuse emotion into every note. Krauss, a bluegrass prodigy and a highly respected figure in country and Americana music, had great respect for Plant’s musical innovations and his ability to transcend genres. Their paths crossed at a tribute concert for blues legend Lead Belly, where the initial spark for a partnership was ignited. Plant was impressed by Krauss’ performance and suggested they explore working together.

 

Producer T Bone Burnett played a crucial role in bringing the collaboration to life. Known for his work in Americana and roots music, Burnett’s vision for the project was instrumental. He saw the potential for a groundbreaking album that would push both artists beyond their comfort zones. Burnett’s reputation and his understanding of the musical landscapes that both Plant and Krauss inhabited made him the perfect mediator for this unlikely duo.

 

The selection of songs for “Raising Sand” was a meticulous process. Burnett, Plant, and Krauss spent countless hours listening to old records and sifting through song catalogs to find material that would suit their voices and styles. The goal was to find songs that were not only musically compelling but also emotionally resonant. They sought to create an album that felt cohesive despite the diverse backgrounds of the artists involved.

 

The trio focused on lesser-known tracks from a variety of genres, including country, blues, rock, and R&B. They wanted to uncover hidden gems that could be reinterpreted in a fresh and innovative way. Among the songs selected were “Gone, Gone, Gone (Done Moved On)” by the Everly Brothers, “Please Read the Letter” by Plant’s former band, Page and Plant, and “Rich Woman,” originally performed by Dorothy LaBostrie and McKinley “Li’l” Millet.

 

Burnett’s production played a significant role in shaping the sound of the album. He created an environment that encouraged experimentation and collaboration, allowing Plant and Krauss to explore new musical territories. The arrangements were stripped down and atmospheric, highlighting the strengths of both artists. Krauss’ ethereal harmonies blended seamlessly with Plant’s distinctive vocals, creating a hauntingly beautiful sound.

 

The chemistry between Krauss and Plant was evident throughout the recording process. Despite their different musical backgrounds, they found common ground in their shared love for storytelling and emotional expression. The sessions were marked by a spirit of mutual respect and a willingness to take creative risks.

 

“Raising Sand” was met with critical acclaim and commercial success, earning five Grammy Awards, including Album of the Year. The unexpected pairing of Krauss and Plant, guided by Burnett’s visionary production, resulted in a timeless album that transcended genres and showcased the power of collaboration. Their partnership proved that musical boundaries could be pushed and that magic could happen when two artists from different worlds come together to create something extraordinary.

 

The story of Alison Krauss and Robert Plant’s collaboration is a testament to the power of music to bring people together, regardless of their backgrounds. It highlights the importance of mutual respect, creative exploration, and the willingness to take risks in the pursuit of artistic excellence.

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